Lens on Life · Guide
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Lesson 0 · Week 1 · 2–8 Sep

Setting up the R50

Hold it properly, know every button by feel, and lock in the settings so the camera works for you instead of against you. About 20 minutes.

Part A — Know what you're holding

The R50 is unusual in having one main dial — the wheel around the shutter button. It changes the main setting of whichever mode you're in. That's the whole control philosophy: dial for the big thing, buttons for everything else.

viewfinder · eye sensorflip screenMODEmain dialAF ⁝⁝±binAF/MFtimerQ/SETINFOMENU
The back of the R50. The four cross keys around Q/SET each have a fixed job.
Shutter button
Half-press: focus and meter. Full press: take the picture.
Main dial
The wheel around the shutter button — the only dial. Changes the main setting of whatever mode you're in.
Up key (±)
Exposure compensation — the brightness fixer. In M mode it switches the dial between shutter speed and aperture.
Left key (AF/MF)
Switches between autofocus and manual focus.
Right key (timer/drive)
Self-timer and drive mode: single shot, or bursts.
Down key (bin)
Deletes a photo when you're reviewing.
Q / SET
Middle of the cross keys. Opens the Quick Control screen — the fast way to change anything.
AF point button
Grid-of-dots icon, top right of the back. Chooses where the camera focuses.
★ button
Locks the exposure while you hold it. In playback it magnifies.
Playback (▶)
Review your photos.
INFO
Cycles what's shown on screen. In playback, cycles to the settings and histogram screen.
MENU
The full menu.

The viewfinder has an eye sensor: raise the camera to your eye and the screen switches automatically. Fold the screen closed, facing inward. It forces you to use the viewfinder — steadier, readable in bright sun, and it roughly doubles battery life.

Part B — Holding and turning it

  • Right hand on the grip. Left hand palm-up under the lens, fingers resting on the zoom ring — never gripping from the side.
  • Elbows tucked into your ribs. Camera to your eye. Three points of contact: that's the difference between sharp and not.
  • Turning the camera for a vertical shot: rotate it so the shutter button is at the top, right hand up, elbow still tucked.
  • Go vertical whenever the subject is taller than it is wide — a lighthouse, a giraffe, a person standing, a waterfall. Go horizontal for wide scenes. Fill the frame with the subject.
  • Strap on. Always, at the coast.

Part C — The settings

Press MENU. The tabs across the top: red camera = Shooting, purple = AF, blue = Playback, yellow spanner = Set-up. Use the cross keys, or just touch the screen. Where three independent setup guides disagreed, I've picked for your trip and said why.

  1. 1

    Mode guide

    MENUSet-up (yellow spanner) · page 2Mode guide

    Set toEnable

    The R50's beginner aid: it explains each dial position as you turn to it. Experts turn it off; you keep it on.

  2. 2

    Feature guide

    MENUSet-up (yellow spanner) · page 2Feature guide

    Set toEnable

    Explains settings as you touch them in the Quick Control screen.

  3. 3

    Beep

    MENUSet-up (yellow spanner) · page 2Beep

    Set toLeave on this week

    The focus beep is useful feedback while you learn the half-press. We silence it before Lake Eland and the galleries.

  4. 4

    Image quality

    MENUShooting (red camera) · page 1Image qualityThe dial picks the RAW type; the left/right keys pick the JPEG.

    Set toC-RAW + Large Fine JPEG

    Compact RAW keeps every photo editable later with no visible loss and much smaller files. The JPEG is for sharing straight off the camera.

  5. 5

    Max for Auto ISO

    MENUShooting (red camera) · page 2ISO speed settings → Max for Auto

    Set to6400

    The three expert guides say 3200, 6400 and 12,800. On this sensor 6400 is where grain shows but still prints fine; at the coast you'll have a tripod for anything darker. We revisit for Sweden's interiors.

  6. 6

    AF operation

    MENUAF (purple) · page 1AF operation

    Set toServo AF

    The camera keeps refocusing while you half-press, so a moving dolphin or child stays sharp. Slightly more battery; worth it.

  7. 7

    AF area

    MENUAF (purple) · page 1AF area

    Set toWhole area AF

    Let the camera search the whole frame for the subject. Lesson 3 teaches when to narrow it.

  8. 8

    Whole area tracking Servo AF

    MENUAF (purple) · page 1Whole area tracking Servo AF

    Set toOn

    Once it finds the subject, it follows it anywhere in the frame.

  9. 9

    Subject to detect

    MENUAF (purple) · page 1Subject to detect

    Set toAuto

    Finds people, animals and vehicles by itself. Canon says 'animals' means dogs, cats and birds — it usually manages giraffe and zebra too; we'll test before you go.

  10. 10

    Eye detection

    MENUAF (purple) · page 1Eye detection

    Set toEnable

    Focuses on the eye, which is the only place a portrait can be in focus.

  11. 11

    Touch & drag AF

    MENUAF (purple) · page 3Touch & drag AF settings

    Set toEnable · Positioning: Relative · Active area: Right

    Move the focus point with your thumb on the screen while your eye is at the viewfinder. Right-side-only stops your nose doing it.

  12. 12

    Release shutter without card

    MENUShooting (red camera)Release shutter without card

    Set toDisable

    Canon ships this enabled, which lets you take an entire day of photos with no card in and lose them all.

  13. 13

    Date/Time/Zone

    MENUSet-up (yellow spanner)Date/Time/Zone

    Set toSet it now

    Every photo gets the right timestamp. We change the zone in December.

  14. 14

    Format card

    MENUSet-up (yellow spanner) · page 1Format card

    Set toOnce, now, while the card is empty

    Prepares the card for this camera. It erases everything on the card — only ever do it after backing up.

Five things deliberately not touched — white balance, picture style, metering, drive mode, and the lens control ring. The defaults are right for now, and each gets its own moment later.

Part D — Your home mode

Mode dial to Av. Turn the main dial until the screen shows f/8. That's it: f/8 gives you sharpness front to back and forgives almost everything. ISO is on Auto. The camera picks the shutter speed. This is your camera for the week.

Your first Av f/8 photo goes hereDrop it in the photos folder and it appears here.

Assignment

This week: 100 photos, near home, any subject, no pressure

  1. Viewfinder only — screen folded closed.
  2. Half-press, wait for the box, then full press. Every time.
  3. At least 30 of them vertical.
  4. About 20 in A+ and the rest in Av at f/8, so you can see whether you can tell the difference yet.
  5. One evening, press Playback, go through the lot on the camera, and delete freely with the Down key. Deleting is a skill too.

Send me

Five photos: three you like and two that went wrong — and don't say what went wrong. Drop them in the photos folder; each file carries the settings the camera used, and I'll tell you from those exactly what happened.